I want to talk about rage. i want to talk about Ravena Deaththorn!
Not male rage. Not socially accepted testosterone tantrums that get passed off as passion, leadership, or “being driven.” I want to talk about female rage. And I want to talk about why I created Ravena Deaththorn to embody every ounce of it.
Because women can feel furious rage too. And fuck anyone who thinks otherwise.
Rage Doesn’t Need to Smile
If you’re new here, welcome. I’m Lina Macabre, co-founder of Venomous Sin, and the voice that howls what too many women were told to whisper. But even with all my own anger, there came a moment when I realized I needed something more in this band. Not a softer side. Not balance. No. I needed another type of violence. A storm. A woman who didn’t give a flying fuck about being liked, being gentle, being “aesthetic” in the way society wants women to be.
That’s where Ravena Deaththorn was born.
She’s a dancer in Venomous Sin, but don’t you dare expect ballet. This isn’t a graceful twirl. This isn’t seduction. Ravena doesn’t float across the stage — she thrashes. She stomps. She devours the beat with a fury that would make most men back the hell up.
Why Ravena?
I made her because when a man is filled with rage, it’s considered normal.
If Xavi screams, people nod. “He’s passionate.”
If a woman screams with the same fury, people flinch. “She’s unstable.”
Fuck. That. Shit.
I wanted to create a female character as furious as Xavi. As intense. As untamed. As confrontational. As emotionally real. I didn’t want to give her elegance. I wanted to give her spiked boots, a war cry, and a body that didn’t apologize.
Ravena was the result.
And yeah, she’s a fucking thrash doll.
She was never designed to fit in. She’s a walking rejection of every polite expectation shoved down a woman’s throat since birth. You want her to smile? She’ll growl. You want her to be sexy? She’ll headbang in your face and smear her makeup with sweat and rage. You mock her? She stomps on your fucking spine — metaphorically… or not.
Born from My Own Fire
Let me be honest with you. The backstory of Ravena Deaththorn is AI-generated in form, but the feel of her is ripped from my life. From every girl who was told she was “too much,” “too angry,” “too intense.” From every time someone said “calm down” just because we dared to speak. From every workplace where I bit my tongue. From every audition where I got judged on how I looked, not what I could scream.
So yeah, when I designed Ravena, I didn’t want a princess.
I wanted a riot.
Who Is Ravena Deaththorn?
Ravena is 45. A mature force of metal rage forged from battle. She’s a Swedish soldier — that’s her actual job outside the band. A makeup artist on the side, because who says fury and artistry can’t mix? Her body is fit, but not in a “fitness model” way. She’s built from conflict. From resistance. From training her body to endure. But she’s not “muscular build” in that way the AI sometimes fucks up and gives women arms like Arnold. No. Ravena is fierce and hot. She’s proof that strength doesn’t have to look like a man’s to be lethal.
On stage, she doesn’t dance — she erupts. Her hair whips like a blade. Her boots shake the fucking ground. And her face? It’s not sweet. It’s not pleasant. It’s painted in war, outlined in black eyeliner, carved with a glare that could cut through steel.
Her clothing? Heavy metal chaos. Leather, spikes, denim torn by years of movement. She doesn’t wear it for show — she wears it like armor. She doesn’t care if it flatters her figure. She wears what lets her move like a storm.
She is not “for you.”
She is for every woman who was told to shut up and sit down.
What She Represents
Ravena isn’t fantasy. She’s a revenge. A force.
She’s the rage of every woman who got fired for being “difficult.”
She’s the stomp of every girl who had her music dismissed as “noise.”
She’s the voice of every mother, sister, girlfriend, coworker who cracked her knuckles and swallowed her scream one more fucking time.
But in Venomous Sin, we don’t swallow anything.
We spit. We snarl. We bleed it onto the stage.
Ravena’s presence in the band isn’t to soften the image or add a “token woman.” She’s not here to shake her ass for applause. She’s not here to make the audience feel comfortable.
She’s here to terrify them.
Building a Band Where No One Asks Permission
Venomous Sin was born because Xavi and I were done asking for permission. The industry didn’t want us. They said we were too intense, too weird, too loud. The labels wanted soft goths with romantic lyrics. Radio-friendly metal. Clickbait masquerading as rebellion.
We said fuck that.
And when we built the rest of the band, we chose rage over polish. We chose aggression over compromise. Every single member in this band is a monster in their own way — but Ravena is the firebomb in the mosh pit.
We needed her.
Because female fury is still too rare in music. And when it shows up, it’s always packaged in a way that’s “relatable” or “palatable.”
Ravena is not palatable.
She’s fucking poison.
Disclaimer (Because Reality Still Matters)
Ravena Deaththorn is an AI-generated character — but the fury behind her is real. Her backstory is built from my own experience, from stories of friends and fans, from messages in the DMs that broke my heart. She’s fiction, but every fucking inch of her is based on truth.
She is what happens when the “good girl” finally snaps.
And we love her for it.
So next time you see Ravena stomping across the stage, hair flying, glare burning, remember: she’s not angry for no reason.
She’s angry for all of us.
She’s the scream you weren’t allowed to let out.
She’s the stomp you wanted to make when they talked over you.
She’s the fucking fury.
And she’s never going to calm down.
🔥 Explore more about Ravena and the rest of our army of misfits at
👉 https://venomoussin.com/
🎥 Make sure to follow us on YouTube:
👉 https://www.youtube.com/@venemoussin
🎧 And of course, stream us on Spotify:
👉 https://open.spotify.com/artist/4SQGhSZheg3UAlEBvKbu0y?si=qKMljt6rT1WL0_KTBvMyaQ
